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I went to see more exactly the rooms of the fine Palace of Luxemburg ((Of which the architect was Salomon Debrosse, d. 1626, who may have recalled the Pitti Palace at Florence, where Marie de Médicis had passed her younger days. Addison certainly noticed a similarity. “It” (the Pitti Palace), he says, “is not unlike that of Luxemburg at Paris, which was built by Mary of Médicis, and for that Reason perhaps the Workmen fell into the Tuscan humour.” (Remarks on Italy, 1705, p. 409). The Luxembourg, now known as the Palais du Senat, was built 1615-20 –AD)), in the Fauxbourg St. Germains, built by Mary di Medicis, and I think one of the most noble, entire, and finished piles that is to be seen, taking it with the garden and all its accomplishments. The gallery is of the painting of Rubens, being the history of the Foundress’s Life ((Evelyn is referring to the “Marie de’ Medici cycle” of paintings detailing the struggles and triumphs in her life. -GS)), rarely designed ((Now in the Louvre (twenty-one pictures). They were painted between 1621-25. –AD -Austin says twenty-one but I believe there are 24 -GS)); at the end of it is the Duke of Orleans‘ library ((Gaston-Jean-Baptiste, Duke of Orleans, 1608-60, the King’s uncle, second son, by Henry IV., of Marie de Médicis, who bequeathed this palace to him. He was Lieutenant-General, and Governor of Languedoc. –AD)) , well furnished with excellent books, all bound in maroquin and gilded, the valance of the shelves being of green velvet, fringed with gold. In the cabinet joining to it are only the smaller volumes, with six cabinets of medals, and an excellent collection of shells and agates, whereof some are prodigiously rich. This Duke being very learned in medals and plants, nothing of that kind escapes him ((“There is no man alive in competition with him for his exquisite skill in medailes, topical memory, and extraordinary knowledge in plants: in both which faculties the most reputed antiquaries and greatest Botanists do (and that with reason) acknowledg him both their prince and superiour.”(Evelyn’s State of France; Miscellaneous Writings, 1825, p. 55.) –AD)). There are other spacious, noble, and princely furnished rooms, which look toward the gardens, which are nothing inferior to the rest.

The court below is formed into a square by a corridor, having over the chief entrance a stately cupola, covered with stone: the rest is cloistered and arched on pilasters of rustic work. The terrace ascending before the front, paved with white and black marble, is balustered with white marble, exquisitely polished.

Only the hall below is low, and the staircase somewhat of a heavy design, but the facia toward the parterre which is also arched and vaulted with stone, is of admirable beauty and full of sculpture.

The gardens ((They were also designed originally by Debrosse. –AD)) are near an English mile in compass, inclosed with a stately wall, and in a good air. The parterre is indeed of box, but so rarely designed and accurately kept cut, that the embroidery makes a wonderful effect to the lodgings which front it. ‘Tis divided into four squares and as many circular knots, having in the center a noble basin of marble near thirty feet in diameter (as I remember), in which a Triton of brass holds a dolphin, that casts a girandola of water near thirty feet high, playing perpetually, the water being conveyed from Arceuil by an aqueduct of stone, built after the old Roman magnificence. About this ample parterre, the spacious walks and all included, runs a border of freestone, adorned with pedestals for pots and statues, and part of it near the steps of the terrace, with a rail and baluster of pure white marble.

The walks are exactly fair, long, and variously descending and so justly planted with limes, elms, and other trees, that nothing can be more delicious, especially that of the hornbeam hedge, which being high and stately, buts full on the fountain.

Toward the further end, is an excavation intended for a vast fish-pool, but never finished, and near it is an inclosure for a garden of simples, well kept; and here the Duke keeps tortoises in great number, who use the pool of water on one side of the garden. Here is also a conservatory for snow. At the upper part, toward the palace, is a grove of tall elms cut into a star, every ray being a walk, whose center is a large fountain.

The rest of the ground is made into several inclosures (all hedge-work or rows of trees) of whole fields, meadows, bocages, some of them containing divers acres.

Next the street side, and more contiguous to the house, are knots in trail, or grass work, where likewise runs a fountain. Toward the grotto and stables, within a wall, is a garden of choice flowers, in which the duke spends many thousand pistoles. In sum, nothing is wanted to render this palace and gardens perfectly beautiful and magnificent; nor is it one of the least diversions to see the number of persons of quality, citizens and strangers, who frequent it, and to whom all access is freely permitted, so that you shall see some walks and retirements full of gallants and ladies; in others melancholy friars; in others, studious scholars; in others, jolly citizens, some sitting or lying on the grass, others running and jumping; some playing at bowls and ball, others dancing and singing; and all this without the least disturbance, by reason of the largeness of the place.

What is most admirable, you see no gardeners, or men at work, and yet all is kept in such exquisite order, as if they did nothing else but work; it is so early in the morning, that all is dispatched and done without the least confusion.

I have been the larger in the description of this paradise, for the extraordinary delight I have taken in those sweet retirements. The Cabinet and Chapel nearer the garden-front have some choice pictures. All the houses near this are also very noble palaces, especially Petite Luxemburg ((This, now the residence of the president of the Senate, was a dependency of the greater palace, erected ahout the same date by Richelieu, who lived here till the Palais Royal was built. –AD)). The ascent of the street is handsome from its breadth, situation, and buildings.

I went next to view Paris from the top of St. Jacques’ steeple ((St. Jacques-la-Boucherie, of which the tower only now remains, the church having been pulled down in 1789. In climbing it Evelyn was following Howell’s suggestion (Forreine Travell, 1642, Sect, iii.); and also Lassels, who says (Voyage of Italy, 1670, i. p. 121): “I would wish my Traveler … to make it his constant practise (as I did) to mount up the chief Steeple of all great townes.”.   Richard Lassels, often referred to in the succeeding notes, was a Roman Catholic divine who died at Montpellier in 1668. He had been professor of classics at the English College at Douay. His travels (in two volumes) were published posthumously at Paris by Vincent du Moutier, under the care of his friend, S. Wilson, who inscribed them to Richard, Lord Lumley, Viscount Waterford.   Evelyn was probably familiar with the book; and perhaps employed it occasionally, when writing up his Memoirs, to refresh his memory. –AD)), esteemed the highest in the town, from whence I had a full view of the whole city and suburbs, both which, as I judge, are not so large as London: though the dissimilitude of their several forms and situations, this being round, London long,—renders it difficult to determine; but there is no comparison between the buildings, palaces, and materials, this being entirely of stone and more sumptuous, though I esteem our piazzas to exceed theirs.

Hence I took a turn in St. Innocent’s churchyard ((“Tis all one to lie in St. Innocent’s churchyard, as in the sands of Egypt,” Hydriotaphia, 1658 (final par.).

The church and churchyard were closed in 1786, and the Rue and Square des Innocents now occupy the site. A later visitor than Evelyn thus describes ths spot: — “St. Innocent’s churchyard, the public burying-place of the City of Paris for a 1000 years, when intire (as I once saw it,) and built about with double galleries full of skull and bones, was an awful and venerable sight: but now I found it in ruins, and the greatest of the galleries pulled down, and a row of houses built in their room, and the bones removed I know not whither: the rest of the churchyard in the most neglected and nastiest pickle I ever saw any consecrated place.” (Lister’s Travels in France, 1698). –AD)), where the story of the devouring quality of the ground (consuming bodies in twenty-four hours), the vast charnels of bones, tombs, pyramids, and sepulchers, took up much of my time, together with the hieroglyphical characters of Nicholas Flamel’s philosophical work, who had founded this church, and divers other charitable establishments, as he testifies in his book.

Here divers clerks get their livelihood by inditing letters for poor maids and other ignorant people who come to them for advice, and to write for them into the country, both to their sweethearts, parents, and friends; every large gravestone serving for a table. Joining to this church is a common fountain, with good relievos upon it.

We went toward Paris, lying the first night at Evreux, a Bishop’s seat, an ancient town, with a fair cathedral; so the next day we arrived at Paris.

We arrived at Caen, a noble and beautiful town, situate on the river Orne, which passes quite through it, the two sides of the town joined only by a bridge of one entire arch. We lay at the Angel, where we were very well used, the place being abundantly furnished with provisions, at a cheap rate. The most considerable object is the great Abbey and Church, large and rich, built after the Gothic manner, having two spires and middle lantern at the west end, all of stone. The choir round and large, in the center whereof elevated on a square, handsome, but plain sepulcher ((This was a second tomb, erected circa 1626, which had replaced an earlier one, and only contained a thigh-bone of the Conqueror. “In 1742, this second tomb, being considered to be in the way of the services of the church, was removed to another part of the choir, where it was destroyed and rifled in 1793, when the one remaining fragment of the body of William was lost for ever” (Hare’s North-Western France, 1895, 116). )) , is this inscription:

“Hoc sepulchrum invictissimi juxta et clementissimi conquestoris, Gulielmi, dum viverat Anglorum Regis, Normannorum Cenomannorumque Principis, hujus insignis Abbatiae piissimi Fundatoris: Cum anno 1562 vesano hæreticorum furore direptum fuisset, pio tandem nobilium ejusdem Abbatiae religiosorum gratitudinis sensu in tam beneficum largitorem, instauratum fuit, aº D’ni 1642. D’no Johanne de Bailhache Assætorii proto priore. D.D.014”

On the other side are these monkish rhymes:

“Qui rexit rigidos Northmannos, atq. Britannos
Audacter vicit, fortiter obtinuit,
Et Cenomanensis virtute coërcuit ensis,
Imperiique sui Legibus applicuit.
Rex magnus parvâ jacet hâc Gulielm’ in Urnâ,
Sufficit et magno parva domus Domino.
Ter septem gradibus te volverat atq. duobus
Virginis in gremio Phœbus, et hic obiit.”

We went to the castle, which is strong and fair, and so is the town-house, built on the bridge which unites the two towns. Here are schools and an University for the Jurists.

The whole town is handsomely built of that excellent stone ((“Caen stone or Pierre de Caen, is a light creamy-yellow Jurassic limestone quarried in northwestern France near the city of Caen” – Wikipedia)) so well known by that name in England. I was led to a pretty garden, planted with hedges of alaternus ((The Italian buckthorn or Rhamnus alaternus was planted at Sayes Court Garden see this article featuring alaternus. -GS)), having at the entrance a screen at an exceeding height, accurately cut in topiary work, with well understood architecture, consisting of pillars, niches, friezes, and other ornaments, with great curiosity; some of the columns curiously wreathed, others spiral, all according to art.

The next morning, we saw the citadel ((Where Cardinal Mazarin, six years later, shut up the leaders of the Fronde, Condé, Conti, and Longueville, — “the lion, the ape, and the fox” according to Gaston of Orleans. –AD)), strong and regular, well stored with artillery and ammunition of all sorts: the works furnished with fair brass cannon, having a motto, Ratio ultima Regum ((Latin – “The last argument of Kings” or more “The last resort of Kings”.  This phrase was placed on French cannon by order of Louis XIV  – GS)).

The allogements ((Accommodation – from the French “logement” -GS)) of the garrison are uniform; a spacious place for drawing up the soldiers, a pretty chapel, and a fair house for the Governor ((In 1644 the Governer was Francis Vignerot Pont-Courlay – father of the Duke of Richelieu. The Duke took over the role of Governor on the death of his father in  June 1646. In this entry Evelyn wrote he met the both  Duke and Governor during his stay in Le Havre – perhaps he was incorrect when referring to notes or he met both father and son – GS)). The Duke of Richelieu being now in the fort, we went to salute him; who received us very civilly, and commanded that we should be showed whatever we desired to see. The citadel was built by the late Cardinal de Richelieu, uncle ((actually great-uncle -GS))  of the present Duke, and may be esteemed one of the strongest in France. The haven is very capacious.

When we had done here, we embarked ourselves and horses to pass to Honfleur, about four or five leagues ((An English  league was 3 miles, so Evelyn was stating 12-15 miles or 19 – 24km -GS))  distant, where the Seine falls into the sea. It is a poor fisher-town, remarkable for nothing so much as the odd, yet useful habits which the good women wear ((Possibly the distinctive quichenotte or sun-bonnet -GS))  , of bears’ and other skins, as of rugs at Dieppe, and all along these maritime coasts.

We passed along the coast by a very rocky and rugged way, which forced us to alight many times before we came to Havre de Grace, where we lay that night.

I lay at the White Cross, in Rouen, which is a very large city, on the Seine, having two smaller rivers besides, called the Aubette and Robec. There stand yet the ruins of a magnificent bridge of stone ((Built, in 1167, by Queen Matilda, daughter of Henry I. It lasted till the middle of the fifteenth century, when the bridge of boats was substituted. –AD)), now supplied by one of boats only, to which come up vessels of considerable burden. The other side of the water consists of meadows, and there have the Reformed a church.

The Cathedral Nôtre Dame was built, as they acknowledge, by the English; some English words graven in Gothic characters upon the front seem to confirm it. The towers and whole church are full of carving. It has three steeples, with a pyramid; in one of these, I saw the famous bell (( In the south-west tower (Tour de Beurre). It was called George d’Amboise after the Cardinal of that name (Archbishop of Rouen, and the popular Minister of Louis XII.), and was melted at the Revolution, all but a fragment in the Museum. –AD)) so much talked of, thirteen feet in height, thirty-two round, the diameter eleven, weighing 40,000 pounds.

In the Chapel d’Amboise, built by a Cardinal of that name ((George d’Amboise, 1460-1510, above mentioned. His body, and that of his brother, were torn from their graves in 1793, and the lead of the coffins melted.  –AD)), lies his body, with several fair monuments. The choir has behind it a great dragon painted on the wall, which they say had done much harm to the inhabitants, till vanquished by St. Romain, their Archbishop; for which there is an annual procession. It was now near Easter, and many images were exposed with scenes and stories representing the Passion; made up of little puppets, to which there was great resort and devotion, with offerings. Before the church is a fair palace. St. Ouen is another goodly church and an abbey with fine gardens. Here the King hath lodgings, when he makes his progress through these parts. The structure, where the Court of Parliament ((Now the Salle d’Assises. –AD)) is kept, is very magnificent, containing very fair halls and chambers, especially La Chambre Dorée. The town-house is also well built, and so are some gentlemen’s houses; but most part of the rest are of timber, like our merchants’ in London, in the wooden part of the city.

I went with Sir J. Cotton, a Cambridgeshire Knight, a journey into Normandy. The first day, we passed by Gaillon, the Archbishop of Rouen’s Palace. The gardens are highly commended, but we did not go in, intending to reach Pontoise by dinner. This town is built in a very gallant place, has a noble bridge over the Oise, and is well refreshed with fountains.

This is the first town in Normandy, and the furthest that the vineyards extend to on this side of the country, which is fuller of plains, wood, and inclosures, with some towns toward the sea, very like England.

We lay this night at a village, called Magny.

Next morning, we were invited by a painter, who was keeper of the pictures and rarities, to see his own collection. We were led through a gallery of old Rosso’s work, at the end of which, in another cabinet, were three Madonnas of Raphael, and two of Andrea del Sarto. In the Academy where the painter himself wrought, was a St. Michael of Raphael, very rare; St. John Baptist of Leonardo, and a Woman’s head; a Queen of Sicily, and St. Margaret of Raphael; two more Madonnas, whereof one very large, by the same hand; some more of del Sarto; a St. Jerome, of Perino del Vaga; the Rape of Proserpine, very good; and a great number of drawings ((Other paintings by Leonardo were recorded at Fontainbleu by visitors including the lost painting “Leda and the Swan” mentioned in a 1625 visit by Cassiano dal Pozzo– GS)) .

Returning part of our way to Paris, that day, we visited a house called Maison Rouge ((Possibly the Vaux-le Vicomte as a village called Maison-Rouge was destroyed during the building up of this estate – see source. -GS)) , having an excellent prospect, grot, and fountains, one whereof rises fifty feet, and resembles the noise of a tempest, battle of guns, etc., at its issue.

Thence to Essone, a house of Monsieur Essling ((the house closely fits the description of the “Château de Courances”, a grand 16th century house with extensive gardens and water features. – GS)) , who is a great virtuoso; there are many good paintings in it; but nothing so observable as his gardens, fountains, fish-pools, especially that in a triangular form, the water cast out by a multitude of heads about it; there is a noble cascade and pretty baths, with all accommodations. Under a marble table is a fountain of serpents twisting about a globe.

We alighted next at Corbeil, a town famous for the siege by Henry IV. Here we slept, and returned next morning to Paris.